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Hollywood science fiction films imagine future humans in worlds that are no longer green, or never were—from Soylent Green’s dying Earth to that of Interstellar. And from Soylent Green to Ad Astra, humans in the future experience plant and animal life as simulations on a screen, in hyperreal photography and video meant to pacify and comfort. Maybe we live in that world already, to some extent, with apocalyptic films and science fiction expressing a collective mourning for the extinctions brought on by climate change.
