Transmedia: Storytelling for the Digital Age
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Transmedia: Storytelling for the Digital Age
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a look at the creative and technical worlds of immersive storytelling
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Technology and The Evolution of Storytelling

Technology and The Evolution of Storytelling - ART & SCIENCE - Medium
From medium.com - June 30, 2015 3:07 PM
The Digital Rocking Chair's insight:


John Lasseter:  "It’s not the technology that entertains people, it’s what you do with the technology."

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Fausto Cantu's curator insight, June 30, 2015 6:12 PM

Tecnología y la evolución del Storytelling

 
Daniel Christian's curator insight, July 1, 2015 9:29 AM

Via the Digital Rocking Chair
Mike Donahue's curator insight, July 2, 2015 12:34 PM

This is my new must read for everyone. Lassiter's insights about computer graphics (CG) transcend his industry. They offer guidance for UX and web designers (any designer really) and businesses alike. His comments on storytelling and emotion connection are the key to success in design and business. I will be quoting this article for years to come.

 

I would absolutely recommend this to everyone.
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3-D Printing Goes Hollywood With Stop-Motion Animated Feature ParaNorman

3-D Printing Goes Hollywood With Stop-Motion Animated Feature ParaNorman | Transmedia: Storytelling for the Digital Age | Scoop.it
From www.wired.com - July 24, 2012 4:32 AM

Caitlin Roper: "With tens of thousands of printed parts, millions of hours of work, and billions of pixels invested, the project represents unparalleled innovation in handmade storytelling—and a new future for a 100-year-old art form" ...

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Mariana Soffer's comment, July 24, 2012 9:07 AM
hahaha
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The Technical Triumph And Torment Of Paranorman’s 3-D-Printing-Driven Animation Process

The Technical Triumph And Torment Of Paranorman’s 3-D-Printing-Driven Animation Process | Transmedia: Storytelling for the Digital Age | Scoop.it
From www.fastcocreate.com - August 18, 2012 3:55 AM

Susan Karlin: "Long before ParaNorman’s protagonist could start battling zombies, Laika’s Brian McLean and his 40-member team had to tame a new stop-motion technology process. McLean talks about the bloody road to the film’s bleeding-edge character design."

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