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Transmedia: Storytelling for the Digital Age
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a look at the creative and technical worlds of immersive storytelling
Curated by
The Digital Rocking Chair
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The Digital Rocking Chair's insight:
Scott Macaulay: "[...] in order to be truly contemporary, filmmakers must incorporate text messaging into their movies. But how to do that creatively?" 
Donald Schwartz's curator insight,
August 22, 2014 5:08 PM
Not sure of this one, but I never say never.
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Beth Carter: "A common hysteria surrounds the inevitable switch from analog to digital, regardless of the industry" ...
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The Digital Rocking Chair's insight:
Angela Watercutter: "Amidst all the hoopla over the new iPhone 6 and iPhone 6 Plus and their motion processors, faster CPUs, and larger screens, people are missing that Apple's latest smartphones are also a high-quality camera that filmmakers—or aspiring ones—can keep in their pockets."
Henrik Safegaard - Cloneartist's curator insight,
September 18, 2014 4:44 AM
Not that they didn’t have that before. iPhones have been used to make shorts and other types of films before—there are even multiple iPhone film festivals—but what the iPhone 6 offers is what Apple’s Phil Schiller called “technology used by high-end DSLRs” Click to read more. 
Spencer McCrossen's curator insight,
September 19, 2014 2:58 PM
And if you're saving up or have no budget you can always make films with your smartphone
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Tim Maly: "When Derek Van Gorder and Otto Stockmeier decided to make a science fiction short about a mutiny on an interplanetary warship, they didn't have the funds for CGI."
The Digital Rocking Chair's insight:
"Kit bashing is when you go to a model store and buy up boxed models kits like cars and naval vessels to repurpose the parts for your completely unrelated miniature." Intrigued? Then you should definitely read the rest of this article :)
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![Steven Spielberg & Martin Scorsese: the joy of celluloid [Interesting to compare Analogue with Digital] | Transmedia: Storytelling for the Digital Age | Scoop.it](https://img.scoop.it/R_DDYVAy2MAzknbuvyhgCDl72eJkfbmt4t8yenImKBVvK0kTmF0xjctABnaLJIm9)
It's risky, imperfect, expensive – and the stuff of a thousand classics.
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Josh Dickey: "The first time Peter Jackson presented footage from The Hobbit at 48 frames per second, most hissed that they hatesss it.
But the high-frame-rate format has had a long journey since that April day back in 2012, when exhibitors and press saw a 10-minute sneak peek of Hobbit footage at CinemaCon in Las Vegas."